Listed by contribution type, alphabetical by corresponding author
PROFESSIONAL PAPERS |
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Title |
Author(s) |
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The Rare Case of Early 18th-century Dutch Lustre-decorated Tin-glazed Tiles: Analysis of their history, decoration technique, and lustre nanostructure |
Bert-Jan Baas,* Luc Megens, and Kate van Lookeren Campagne |
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Fresh Eyes on Old Porcelain: Reinterpretation of an Allegory of the Four Continents group |
Sarah Barack,* Jessica Walthew, Jakki Godfrey, and Yuyin Charlotte Li |
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Conservation and Care of a Monumental Glass Art Mural: Challenges and limitations |
Claudia Chemello,* David Wilson, and Paul Mardikian |
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Interdisciplinary Analyses for Diagnosing a Cracking Phenomenon on 17th- to 18th-century Dutch Glass Horns |
Theresa Costello,* Luc Megens, Guus Verhaar, George Quinn, Marc Barreda, and Mandy Slager |
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Through the Smithsonian Glass and What Alice Found There: Development of a pan-institutional survey of glass collections at the Smithsonian Institution |
Kim Cullen Cobb,* Miriam E. Hiebert, Robin O'Hern, and Lee-Ann C. Hayek |
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Let There Be Christmas! Examination and conservation of 19th-century cold-painted terracotta Nativity figures |
Andrea Fischer,* Judith Berning, and Gerhard Eggert |
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A Matter of Choice: Acrylic copolymer or epoxy resin adhesives? Studying glass conservation at the Stuttgart State Academy of Art and Design |
Andrea Fischer,* Birgit Schwahn, and Katja Franziska Siebel |
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Adhering to Artist's Intent: Pilot study of a diagnostic tool for multimedia ceramic artworks with modern, commercial adhesives |
Jennifer Green,* Mandy Slager, and Suzan de Groot |
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Investigation into Consolidants for Reverse Glass Paintings |
Stephanie Guidera,* Fiona Beckett, and Emily Hamilton |
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Sherds and Shards: Technical study and treatment of an excavated, late 17th-century bleu persan urn |
Skyler Jenkins and Katherine McEnroe |
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Ceramic Lockdown Stories: Remote teaching in a pandemic |
Caitlin O'Grady |
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Shattered Glass: An unusual alteration process in a 5th-century BCE archaeological glass |
Teresa Palomar,* Nadine Schibille, Esther Rodríguez González, Sebastián Celestino, and Joaquín Barrio |
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Multi-modal Analysis of Transparent Glass to Detect Early Signs of Volatile Organic Compounds-Induced Corrosion Due to Contaminated Silica Gel |
Deepshikha Sharma,* Katharina Schmidt-Ott, Ulrike Rothenhaeusler, Erwin Hildbrand, Sony George, Edith Joseph, and Tiziana Lombardo |
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Loss Compensation Using Porcelain: A case study at Vista Alegre Porcelain Factory |
Joana Teixeira |
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The Dalle de Verre Lantern of Liverpool Metropolitan Cathedral: Composition and in-service behaviour of the epoxy resin mortar |
Norman H. Tennent,* Johannes A. Poulis, Lisette de Bie, Yasmine Mosleh, and Gareth Richings |
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Preventing Daguerreotype Degradation |
David Thickett,* Boris Pretzel, Sarah Allen, Saray Paynter, and Sophie Downes |
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Thermocasting of PARALOID B-72: Recent developments in the reconstruction of losses in high-fired ceramics |
Roy van der Wielen |
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The Proof is in the Pudding: Understanding production faults in 17th- and 18th-century Dutch tin-glazed tiles through the reconstruction of historical recipes |
Kate van Lookeren Campagne,* Luc Megens, and Bert-Jan Baas |
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The Investigation of Archaeological Glass Using X-ray Fluorescence Spectroscopy and X-ray Micro-computed Tomography |
Guus Verhaar,* Lambert van Eijck, Dominique Ngan-Tillard, René van Beek, and Luc Megens |
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The Treatment of Brazilian 20th-century Stained Glass: Between practice and context |
Mariana Gaelzer Wertheimer,* Ellen Röpke Ferrando |
EMERGING PROFESSIONAL EXTENDED ABSTRACTS |
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Title |
Author(s) |
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The Reconstruction of Three Archaeological Glass Vessels from the Monastery of Santa Chiara, Padua |
Elena Betti* and Silvia Ferucci |
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Conservation of a Terracotta Vessel Assisted by a 3D-printed Support |
Beatriz Borges,* Susana Coentro, Márcia Vilarigues, André Nunes, Inês Coutinho |
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Loss Compensation with Porcelain Fills: Combining traditional techniques and emerging technologies |
Leonor Conceição,* Márcia Vilarigues, Susana Coentro, Inês Coutinho, Joana Teixeira, Paula Urze |
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Manufacturing Cast Acrylic Sheets for Filling Hollow Glass Objects |
Ronja Herbeck,* Alexandra Jeberien, and Simone Stritzker |
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A Comparative Assessment of Three Materials for the Consolidation of Inhomogenous, Unfired Clay |
Jamilla Peeters,* Luc Megens, and Kate van Lookeren Campagne |
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Challenges in the Interventive Conservation of Hand-painted Magic Lantern Glass Slides: An overview of cleaning practices for paint layers |
Ângela Santos,* Vanessa Otero, and Márcia Vilarigues |
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Scratching the Surface: Research into the use of funori as consolidant of friable white surface coatings on Greek and Roman terracotta figurines |
Julia Wagner,* Kate van Lookeren Campagne, Luc Megens, William Wei, and Suzan de Groot |
POSTERS |
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Title |
Author(s) |
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Applications for Cast Nanocellulose in the Conservation of Three-dimensional Glass Objects |
Katerina Acuna* and Karen Stamm |
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Analysis of Deteriorating 19th-century Blue Glass Beads |
Annika Blake-Howland,* Emily Hamilton, and Glennis Rayermann |
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The Shattered Glass of Beirut: Conserving Lebanese history together |
Claire Cuyaubère* and Duygu Çamurcuoğlu |
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Fragmented Histories: Deconstructing and reconstructing a 17th-century Iranian stone-paste tile panel |
Holly Daws* and Charles Stable |
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Filling in the Gaps: Application of 3D technology to create a detachable fill for an earthenware skyphos |
Rani De Vos,* Stefanie Bauvois, Jouke Verlinden, and Lien Acke |
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When Does Glass Get Wet? A revised table of deliquescence humidities of relevant salts |
Gerhard Eggert |
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The Study, Conservation, and Presentation of a Roman Dolium |
Lidija Gardina |
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Technical Examination of a Matisse/Méthey Painted Tin-glazed Earthenware Plate |
Abed Haddad* and Lynda Zycherman |
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Conservation and Restoration Methods for Archaeological Glass Using 3D-printing Techniques |
Anastasia Ivanova* and Ekaterina Sharkova |
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Revealing Mars: Evaluation of treatment methods for a 19th-century stained glass window at the Los Angeles County Museum of Art |
Carinne Tzadik Klaristenfeld,* Silviu Boariu, and Laura Maccarelli |
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The Mysterious Substance from 18th-19th-century Blue-and-White Glazed Persian Jars: Chemical identification and conservation issues |
Ada Kokot,* Joanna Bojarska-Cieślik, Justyna Kwiatkowska, and Magdalena Wróbel-Szypula |
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Re-Treatment of a Prehistoric Vase from Velištak (Croatia): Reintegrating past interventions |
Martina Ćurković Madiraca |
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Restoration and Research of the Stove Tiles at Rezekne Mediaeval Castle |
Ieva Medne* and Jana Libiete |
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Testing Bulked Acrylic Resins for Consolidation and Loss Compensation of Flaking Enamel |
Viviane Miceski,* Véronique Treluyer, and Christine Andraud |
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Replicating Reticello: Loss compensation in gilded reticello glass |
Margot Murray* and Karen Stamm |
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Opere Outdoor: A database for programming conservation |
Serena Spadavecchia* and Linda Gori |
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Glass Restoration in Three Dimensions: Evaluating current 3D technologies |
Joris Nagtegaal |
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Earthquake Recovery: Restoration of glass objects from the Mimara Museum (Zagreb, Croatia) |
Šime Perović |
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Study and Treatment of a Glass Cephalopod: Challenging assembly and innovative loss compensation |
Agathe Petit |
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Drying Methods of Historic Glass Bottles: An investigation |
Ulrike Rothenhäusler,* Kevin Cilurzo, and Isabel Keller |
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The Value of Reproduction in the Preservation of Glass Cultural Heritage |
Catarina Reis Santos,* Inês Coutinho, and Márcia Vilarigues |
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Study and Conservation Treatment of Ancient Cold-Painted Architectural Terracotta from the Republican Sanctuary of Monte Rinaldo |
Diana Scirri |
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Investigating Accepted and Innovative Materials for Glass Fills |
Katharine Shulman,* Lauren Fair, and Catherine Matsen |
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The Chemical Reversion of Lead Sulfide Blackening of Ceramic Glazes: A colour science rationalisation |
Norman H. Tennent* and James H. Nobbs |
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The Conservation of Modern Reverse Glass Paintings: Adapting traditional techniques |
Kate Wight Tyler* and Sarah Barack |
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3D-printed Porcelain for Restoration |
Heike Ulbricht |
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Identifying Unstable Glass in Museum Collections Through Surveys Using Ion Chromatography |
Guus Verhaar,* Norman H. Tennent, and Maarten R. van Bommel |
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Lead-glazed Architectural Terra Cotta: A comparative study of consolidants |
Louise Vuillermoz |
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Picking Up the Pieces: Strategies for loss compensation within a Tiffany stained glass window |
Alexandra Wysopal |