Committees

 

Scientific Committee (in alphabetical order)

Conceição Casanova, Graphic Documents and Conservation Theory Professor at the Department of Conservation and Restoration, NOVA University of Lisbon

Brian Castriota, Assistant-Coordinator of ICOM-CC’s Theory, History, and Ethics of Conservation Working Group / PhD Researcher at University of Glasgow / Freelance conservator of time-based media and contemporary art

Leslie Carlyle, Paintings Conservation-Restoration Professor at the Department of Conservation and Restoration, NOVA University of Lisbon

Joana Lia Ferreira, Professor of Contemporary Art Preservation at the Department of Conservation and Restoration, NOVA University of Lisbon

Davina Kuh Jakobi, Assistant-Coordinator of ICOM-CC’s Theory, History, and Ethics of Conservation Working Group / Executive Director at Whaley Historic House Museum

Rita Macedo, Professor of Art History and Contemporary Art Preservation at the Department of Conservation and Restoration, NOVA University of Lisbon

Hélia Marçal, Coordinator of ICOM-CC’s Theory, History, and Ethics of Conservation Working Group and Fellow in Contemporary Art Conservation and Research at Tate

Petria Noble, Assistant-Coordinator of ICOM-CC’s Paintings Working Group / Head of Paintings Conservation at the Rijksmuseum, Amsterdam

Elisabeth Ravaud, Coordinator of ICOM-CC Painting Working Group and Head of Easel Paintings in the Research Department of C2RMF (Centre de Recherche et de Restauration des Musées de France)

Esther van Duijn, Assistant-Coordinator of ICOM-CC’s Theory, History, and Ethics of Conservation Working Group and Paintings conservator / Researcher at the Rijksmuseum, Amsterdam 

 

Organising Committee (in alphabetical order)

Susana Coentro, Junior Researcher at Vicarte, NOVA University of Lisbon

Sofia Gomes, PhD Fellow at Department of Conservation and Restoration, NOVA University of Lisbon

Rita Macedo, Professor of Art History and Contemporary Art Preservation at the Department of Conservation and Restoration, NOVA University of Lisbon 

Hélia Marçal, Coordinator of ICOM-CC’s Theory, History, and Ethics of Conservation Working Group and Fellow in Contemporary Art Conservation and Research at Tate

Lurdes Marrinhas, Graduate Student at Department of Conservation and Restoration, NOVA University of Lisbon

Elisabeth Ravaud, Coordinator of ICOM-CC Painting Working Group and Head of Easel Paintings in the Research Department of C2RMF (Centre de Recherche et de Restauration des Musées de France)

Rute Rebocho, Graduate Student at Department of Conservation and Restoration, NOVA University of Lisbon

Ana Tourais, Graduate Student at Department of Conservation and Restoration, NOVA University of Lisbon

Esther van Duijn, Assistant-Coordinator of ICOM-CC’s Theory, History, and Ethics of Conservation Working Group and Paintings conservator / Researcher at the Rijksmuseum, Amsterdam